The Haunted House Hotel

Film, Short Stories

The Haunted House Hotel: Shattered Legacy

To coincide with the first public release of The Haunted House Hotel in 25 years, some press outlets have been re-examining the case.

Pressure is mounting to revisit the cult favourite murder of Edward DeWitt, and to posthumously clear the woman convicted of killing him. “Investigative” “reporter” Gordon Loosestaff examines the bizarre case:

In November 1999, Marge Merryweather was arrested for the murder of bellboy Edward DeWitt at a novelty dive called The Haunted House Hotel. Noted busybody and florist Marge was placed in maximum-security prison, where she languished, ultimately hosting a YouTube channel about how to crochet clothes for cats.

Marge Merryweather

Here’s the headline: she was innocent.

Recap

To tell the full story, we have to go back to the beginning. The Haunted House was an eight-bedroom hotel in the middle of suburbia. Its gimmick was the questionable presence of the undead. Tetch, its owner, was deeply unpopular. He thrived on negative press. When Edward was murdered with poison, Tetch set up a bed next to the chalk outline of the body. It was a hit.

But Edward wasn’t finished. He returned from the dead to make a documentary about his murder. In his one remaining day, he spoke to everybody he knew. For the remaining 23 hours, he came to terms with how unhappy they were to see him back.

Just before the deadline, he discovered he’d been poisoned with a rare kind of flower – the kind Marge grew in her garden.

Edward went back to his grave happy in the knowledge that Marge was behind bars, and her reign of terror as both a murderer and botanist was finally over. But Edward was a bellboy at a tenth-rate hotel. When he died, he left nothing but a chalk outline, a collection of lingerie catalogues and a pet rock called Jock.

And yet Marge was convicted on the evidence of a dead man. Was the documentary a bizarre publicity stunt from the unscrupulous Tetch, or was it really Oscar-bait from a murdered moron? The debate was fierce among paranormal obsessives, but short-lived. The conversation died and, with it, The Haunted House Hotel. Tetch’s reputation never recovered.

Revival

Edward didn’t win his Oscar. The documentary was forgotten for twenty years. It was rediscovered by Jacob Reed, a suspicious hoarder who found it on a dusty VHS tape marked SEVEN DAYS. Covid lockdown being what it was, the 47-year-old figured he’d pop it in his VCR. What he saw disturbed him.

“Instead of being visited by a sexy Japanese girl who I could definitely fix given the chance, there was something far more terrifying,” Jacob told me.  “Edward’s documentary. He’d got it completely wrong. Marge couldn’t have been the killer. She was an elderly white woman. I mean. It just doesn’t happen, does it?”

Jacob leapt into action.

“I did what any decent person would do – I fired up Facebook.”

That post led to the creation of the Haunted House subreddit, and from there the documentary went viral. Amateur sleuths sat glued to their phones, ruminating over evidence they didn’t have and people they’d never know. A consensus built: Marge Merryweather must be freed.

The evidence with which she was convicted was weak. The flowers used to kill Edward had indeed come from her garden, and she had hated The Haunted House Hotel. But it was a long step from public protests to poison. The case’s judge, 16-year-old work experience girl Valerie Chance, either didn’t notice the massive gap in evidence or simply didn’t care.

Digital petitions calling to free Marge were signed by literally numbers of people and protests were planned but unattended. Smartphone-powered public pressure grew until the prison system was forced to issue a statement: Merryweather was dead. She’d passed peacefully in her sleep at a support group for narcoleptics. She went undiscovered for four days.

Reunion

 The Free Merryweather Forces had failed. The remaining members – both gainfully unemployed – decided they had to find the real killer. Their investigations led me to suspect one: the hotel’s owner himself.

I met Tetch in a swanky big city coffee shop, where milk and syrup flow freely, and drinks with foreign-sounding names were prevalent. We were out of our depth. He looked up to read the menu and his hairpiece fell off.

Tetch was thin and manic-looking in the documentary. Now he’s bigger and older, but gives the same impression of a man with a dozen watches under his coat. He’s a known fraudster and, indeed, refused to pay for his coffee after claiming he’d found a bean in it.

“Is this about the murder or the arson?” he asked when I tracked him down. When I told him it was about Edward, he seemed relieved and agreed to his first interview in 25 years.

”The documentary made me look like a creep,” he said, assuring me he’d waited “four or five hours” before monetising his bell boy’s murder. “I agreed to it so I didn’t have to pay Edward’s family compensation. Then I lost the Haunted House, there’s all the suspicion online – it got out of hand. It’s hard to sneak an honest penny when people are watching your every move.”

The other important character in Edward’s film was Evie, his unrequited crush and Tetch’s daughter. She was the one who pointed Edward towards Marge with a final, secret clue, recorded on a video camera she’d stolen. What became of her?

“She went to Slovakia or Slovenia or one of those places,” Tetch told me. Extensive research involving checking her LinkedIn revealed Evie works just a few minutes down the road from the coffee shop, at an Ikea.

Resistance

At first she didn’t remember Edward. Even when I described the murder in detail, she kept trying to sell me batteries. Finally, she agreed to meet me in the lower section of a bunk bed in the children’s department. She told me, unprompted, that she didn’t live there.

“Don’t tell people I do,” she said. “Not even as a joke.”

Evie is an interesting woman to interview. She has the look of a cat playing with a mouse. One time she stole my pen. Being the serious journalist that I am, I allowed her to keep it.

“Edward? That was his name?” She asked this multiple times. “The Haunted House was my father’s hotel. How am I supposed to remember every single body that came through the place?”

But when Edward’s face appears on my Samsung Galaxy A5, I see a flicker of recognition in her eyes. She may pretend not to know his name, but she clearly cared.

Revenge

“The days after Edmund died were beautiful. Marge was gone, the protests stopped. The hotel was filled every night. Then the documentary came out. There were a lot of… difficult questions.”

What kind of questions?

“The usual things. Why did you kill him? Who else have you killed? So easy to say the wrong thing. Then Marge was locked up, so I must have said the right things.”

When I’d asked Tetch about Marge, he’d been dismissive.

“She wanted me physically,” he said. “It’s fine. She’s only human.”

Evie had different feelings about her one-time neighbour.

“She wouldn’t leave us alone. And she wasn’t the only one. Do you know Edwin wasn’t even employed at the Haunted House? He worked for tips, and he was terrible. If he wasn’t killed, he’d have starved to death. He hung around for all the wrong reasons.”

“So his murder killed two birds with one stone?”

She seemed surprised by the question – a crack in the façade of a woman always four steps ahead. She smiled.

“Your words, not mine.”

Remembrance

And with that, the interview is over.  Four hours of being trapped in Lighting later, I emerged from that Ikea with six packs of batteries, an end table, a cordless drill, a bowl of vegan meatballs and more questions than answers.

I filled my 2003 Vauxhall Astra with more shame than usual.

Two and a half decades ago, a murder at the Haunted House Hotel changed the course of history. If not actually, then at least for Marge Merryweather. She spent the rest of her days professing her innocence. Amateur sleuths without training or expertise have finally caught up with her tragic story, and are furious, frightened, and all too often drunk.

Is this just another classic tale of a ghost returning from the dead to make a documentary? Or is there something more unusual and sinister at hand?

Every effort was made to contact Edward DeWitt for this article, though he was too dead to contribute. Two days after our interview, Evie disappeared. She was last seen in Kitchens.

Film, News

The Haunted House Hotel

The Haunted House Hotel is now available to watch online.

The year is 1999 and Edward DeWitt has a problem. He’s been murdered. But whodunit? And can he get an Oscar-nominated documentary out of it? But will it end up being just another ghost-directed True Crime doc, or will Edward learn something about himself?

The Haunted House Hotel was a wonderful challenge, and I think everybody involved is thrilled to see it available to the public. After a couple of years in festivals – including the In The Palace International Short Film Festival – it’s finally on YouTube.

I’ve spoken before about the fun we had making this film. We were getting ready to shoot The Cost of the Crown and got the opportunity to work on this as well – so long as it was done in a week. I wrote the script in a single sitting. The challenge was to make a Tim Burton-influenced crime documentary set in the 1990s, featuring four characters.

Moe Acharki directed The Haunted House Hotel and it was produced as part of Nu Boyana’s Film Forge program.

Anyway, here’s the film, and below I’ll post director Moe Acharki’s statement.

Director Statement:

The Haunted House Hotel began as a challenge that quickly became one of the most rewarding filmmaking experiences of my career.

In 2023, during my year-long internship at Nu Boyana Film Studios, I was offered a unique deal by the studio’s CEO. if I directed a short film for the studio’s training programme, I would be given the opportunity to produce my own project there as well. The brief was simple but intentionally restrictive: a fifteen-minute crime-mystery documentary set in the 1990s, featuring four characters, written in two days and shot just two days later.

Knowing the time constraints, I turned to my frequent collaborator Mat Growcott, who wrote the screenplay in a single sitting, allowing us to move immediately into production. The film was created with students from the studio’s vocational training centre, Film Forge, who formed the core of our crew, supported by experienced industry professionals.

What followed was an intense but exhilarating shoot; two twelve-hour days of production, followed by an overnight edit so the students could see their work the very next day. Despite the pressure, the atmosphere on set was extremely positive. The crew embraced the challenge with enthusiasm, and that collective energy became a defining part of the film.

Since premiering at the WLV Screen Awards in 2024, the film has continued to find audiences, including a selection at the Academy Award-qualifying IN THE PALACE International Short Film Festival in 2025. For me, the film represents what can happen when creativity, collaboration and a tight deadline come together.

What began as a training exercise became something far more special; a film made with passion, hard work, and a group of people determined to make the most of a unique opportunity. I hope viewers continue to enjoy stepping into the strange and kooky world of The Haunted House Hotel.

Film, News

The Cost of the Crown Selected for Leavesden Festival

The Cost of the Crown will have its first festival screening next month.

The short film, written by me and Moe Acharki, was filmed at Nu Boyana in 2023. It was completed earlier this year and will premiere at the Leavesden Short Film Festival on April 23rd.

Obviously we’re excited for it to be shown as widely as possible and we’re hoping this is the first of many. I’ll update as and when news comes in.

The Cost of the Crown was filmed at around the same time as The Haunted House Hotel. We’ll have some exciting updates about that one in the coming days as well.

I said in my post about One Step Ahead that I’ve got a lot of updates over the next few days, and I’m not kidding. It’s going to be a busy few weeks!

Film, News

The Haunted House Hotel – Interview Transcript

A little while ago The Haunted House Hotel was shown at In The Palace, an Oscar-qualifying festival in Bulgaria. We were in the Best Short Student Fiction category. Director Moe Acharki and actor Bojidar Nikolov gave an interview during the festival. That interview is now available to read on the In The Palace website.

They spelled my name wrong in the transcript, but what Moe and Bojidar said was very flattering.

Moe said:

I asked the British writer Matt Grocott (Sic) to write the script, which he did in two days based on some very odd criteria: 15 minutes, four characters, crime mystery, documentary, and the 1990s. It was a very bizarre combination, but he made it work, and that’s the film we ended up making.

It’s the only comedy I’ve ever made, and I’m still not entirely sure how it worked, but it did. I think it’s mainly because Matt wrote such a beautiful, funny script. He has a great sense of humor. And I had a very passionate, motivated team, especially considering how fast the production was.

And Bojidar added:

We had a lot to manage in only a few days, it was definitely a challenge. But having real professionals in the crew, and having Moe and Matt’s script, made everything easier.

The full interview is very interesting, and goes to show how much we went through putting this film together in only a few days. It really was a small miracle that it turned out at all, and that’s thanks to the hard work of Moe, Bojidar and the rest of the fantastic cast and crew.

The video can be watched right here. Or you can visit my page about The Haunted House Hotel for some general details.

Film, News

The Haunted House Hotel at In the Palace

The Haunted House Hotel, written by me and directed by Moe Acharki, was shown at the prestigious In The Palace short film festival. Audiences loved it, and it was one of a number of incredible films shown at the festival.

Moe and Bojidar filming the Q&A

Moe – who I’ve worked with on several projects including The Eyes in the Box – spoke about the film alongside lead actor Bojidar Nikolov during a Q&A session.

We shot the film at Nu Boyana in Sofia in 2023, and we all remain extremely proud of it.

Moe said: “Truly a blast and what a great way to remind myself why I do what I do! I wouldn’t have been there if it hadn’t been for the hard work and dedication of the whole Haunted House Hotel team.”

The Q&A session goes through the unusual speed of production, where the concept came from and the few hours I had to write a pilot-length script. We were also working on our upcoming film The Cost of the Crown at the same time.

I travelled to Bulgaria to see the production on both films and was impressed by the incredible talent and dedication of both cast and crew. It was an incredible experience, and I’m happy to see the film doing well.

Synopsis:

Welcome to the Haunted House Hotel! The rooms are okay, the owner dangerously quirky and the murders deliciously unsolved. Although that might be about to change.

When Edward DeWitt rises from the grave to solve his own murder, he brings along a camera so he can finally release a world-famous documentary.

But will he solve the riddle of his death? Will the love of his life return his affections? And is Hollywood ready to accept its first deceased documentarian?

The Haunted House Hotel is a murder mystery comedy about love, loss, and ectoplasm.

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