Awards

News, Short Stories

Mat Growcott Wins Dinesh Allirajah Prize 2026

I’m very proud to announce that my story, In His Life, won the Dinesh Allirajah Prize for 2026.

I was delighted (and surprised) to come away with the top prize. at the awards evening, which was held on Tuesday night (May 5).

In His Life is the story of a father and son going to The Dog and Lamb pub to see a Beatles tribute band. Real life returns, and the joy of the night is short-lived.

Comma Press will release an anthology of all the shortlisted stories, including In His Life. The theme for the competition this year was ‘fandoms’, and stories were as ranged as you can imagine. I can’t wait to see them all.

Judges praised In His Life for the relationship between the main characters, its structure and its control of tone. Judges called it a “powerful piece of work”.

They said: “We admired the careful control of tone and exposition, the elegant structure, and the writer’s unflinching attention to the complications of the story’s central relationship.”

Organisers set up The Dinesh Allirajah Prize after Dinesh’s death in 2014. It was a reflection of his love of writing short fiction. This is the prize’s ninth year. It’s run with the University of Lancashire.

Deeply proud of the story. I’m happy judges connected with it. Thank you, also, to the shortlisting and longlisting teams.

Film, News

The Cost of the Crown Wins Award at Debut

The Cost of the Crown had its premiere at Leavesden Short Film Festival late last month, and it won an award.

The film, which was directed and co-written by Moe Acharki, was shown to an audience of Warner Bros. Studios staff and came away with an award for best cinematography. And it really is a beautiful film!

It’s a fantastic start for the film. We now obviously hope will go and get a few more screenings in the near future.

The Cost of the Crown is an historical drama, following a king as a mob of his angry followers try to knock down his door. It takes place over just a few minutes.

Here’s the synopsis:

With his kingdom in tatters and his subjects baying for his blood, the king hides in his throne room praying for a last-minute reprieve. But with the mob at the door, who can he trust?

We made the film at Nu Boyana studios in Sofia, Bulgaria, and shot it at more or less the same time as The Haunted House Hotel. It’s exciting to finally have both films out in the wild.

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